It’s furthermore comment to combine letters by way of common features, such as a vertical line, or a given curve. You’re free to use any combination of upper and lower case letters, in any combination of sizes and in any orientation. Here’s you can begin to exercise some artistic license. It’s often useful to spend a few days of thought and experimentation before settling on the Statement of Purpose and proceeding to the next step.Other facets of grammar seem to be less important as long as the statement is unambiguous.For example, if the goal has to do with ongoing harassment, STOP HARASSMENT is usually better than NO HARASSMENT.Phrase the purpose in the affirmative rather than as negation.State only the desired endpoint, without detail or ideas about how it should come about.Make the statement short and direct, six or fewer words is a good rule of thumb.If the need is inherently multifaceted and complex, other forms of magic may be better suited.A singular, simplem purpose is preferable to a compound or complex goal.The following guidelines have proven useful in practice: Instead of ones own name, the name of the other purpose can be used as above. Yet another variation can be applied when the magic is intended to act on another person. A variation of that approach is to sigilize ones own name rather than the My Will statement as a base unit around which the rest of the statement is sigilized. If the convention is adopted, it can serve as something of a personal signature, a base form upon which the intention is imposed.
For the purpose of this instruction, that convention is considered optional. Readers are encouraged to research and compare the technique presented here with other available methods, and to use what suits them best.įor theoretical reasons, some deem it necessary to start the Statement of Purpose with the words, My Will. There are indeed many variants of the basic method in print today. What follows is an adaptation of Spare’s method as related by U.’.D.’., but it differs in some of the specifics, based on years of experiments. The method is presented with a basic assumption that sigils created in this manner are effective magical tools when employed properly. The subject of the current instruction is the basic sigil creation method. Spare’s theories for how and why personally created Sigil’s work is a debatable topic, but that debate iw carried on elsewhere. Spare is credited with a method of sigil making that was refined and popularized by a Tegtmeier in a concise little book, Practical Sigil Magick, once out of print but now back in circulation and readily available from most any bookseller. In occult circles he’s best known as the progenitor, or at least chief inspiration for what is known today as Chaos Magic, developed and promoted by Peter Carroll and Ralph Tegtmeier writing as Frater U.’.D.’., among many others authors. The reader is encouraged to research Spare’s life and contributions to modern magick, in service of a well-rounded education. He’s also know to have influenced Kenneth and Steffi Grant, prominent characters in the history of 20th Century magic and occult studies as well. Au stin Osman Spare (1886-1956) was a colorful character in the history of 20th Century art, literature and magic.
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